I Dood It

Sep 8, 2022 — All the Beauty and the Bloodshed is the only nonfiction film competing in Venice—and Werner Herzog and Mark Cousins remain as busy as ever.

Aug 26, 2022 — In a pivotal early scene in this baseball classic, director Ron Shelton mischievously uses two contrasting rock tunes to comment on disparate versions of masculinity.

Jul 22, 2022 — Films by Jordon Peele, Ethan Hawke, and Lucile Hadžihalilović arrive along with a series tracing the path of the Method.

May 19, 2022 — As Tchaikovsky’s Wife premieres in competition, the Russian director fields questions about cultural boycotts.

Apr 5, 2022 — A series at Vulture and Karina Longworth’s You Must Remember This revisit the erotic movies of the 1980s and ’90s.

Apr 1, 2022 — This week: A new Cinema Scope, Robert Siodmak, Theodore Witcher, reenactment in nonfiction, and the science of Dune.

Sep 3, 2021 — Faya Dayi opens, Sight & Sound revives the Black Film Bulletin, and Tsai Ming-liang and Tony Leung Chiu Wai look back—and ahead.

Jul 13, 2021 — Miles: I just sold a building on the Lower East Side and tripled my money Molly: There’s a lot of that happening these days. Released the year before Oliver Stone’s Wall Street (1987), Working Girls, a film about sex work, is a sharper by far...

Apr 23, 2021 — This week we’re reading A. S. Hamrah on the contenders for this year’s Oscars and Ben Hecht on the state of Hollywood in 1938.

Mar 23, 2021 — With the participation of Wong Kar Wai’s production company, Jet Tone Films, and collaborating with L’Immagine Ritrovata and One Cool, the Criterion Collection undertook meticulous restorations of seven of the director’s films, five of which—Chungking Express, Fallen Angels, Happy Together,...