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Do Ankhen Barah Haath

May 7, 2021 — Critics celebrate the new 4K restoration of The Story of a Three Day Pass (1968).

May 7, 2021 — The house on Walnut Road was and still is, among other things, a movie house. That becomes vividly clear in Michael Koresky’s searching and tender new memoir, Films of Endearment, in which he returns to this beloved childhood home several times over the...

May 6, 2021 — Fame, as the Chilean writer Roberto Bolaño once observed, is reductive. “Everything that ended in fame and everything that issued from fame was inevitably diminished,” he wrote in 2666, an epic novel published after his death.What Bolaño identified as the...

May 5, 2021 — Deep Dives THE LIFE OF THE LANDIS PERPETUATEDIN RIGHTEOUSNESS one of the protest signs depicted (poetically, upside down) in The Sand Island Story Victoria Keith was a high school teacher, in 1976, when she heard about the pending eviction of two farming communities on Oahu’s East Shore....

May 5, 2021 — Many lucky enough to have worked with her remember the star who broke through in Moonstruck.

Apr 30, 2021 — One Scene Shatara Michelle Ford could not have made their first film without their filmmaking community, in addition to the sustained support and encouragement from members of their chosen family. Test Pattern—which is now available on Kino Now and Kino...

Singular Realities

The Daily

Apr 30, 2021 — The British New Wave, Eric Rohmer, and the late Monte Hellman figure among this week’s highlights. Also, it turns out there’s still a lot to say about Nomadland.

Apr 27, 2021 — The winner of top awards at Visions du Réel now heads to New Directors/New Films, Hot Docs, True/False, and Rotterdam.

Nothing Sacred

The Daily

Apr 23, 2021 — This week we’re reading A. S. Hamrah on the contenders for this year’s Oscars and Ben Hecht on the state of Hollywood in 1938.

Apr 22, 2021 — Monte Hellman In 1965, Monte Hellman took a cast and crew to a desert in Utah and shot two westerns back to back. With The Shooting and Ride in the Whirlwind, Hellman introduced an existential dread and a Beckettian sense...

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