The Criterion Collection
Jan 26, 2018 — We turn first to IndieWire’s David Ehrlich: “‘The emotions you are having are not your own, they are someone else’s. You are not the cat—you are inside the cat.’ So begins Josephine Decker’s Madeline’s Madeline, an ecstatically disorienting experience that...
The Daily
Oct 4, 2017 — We begin with Richard Brody, writing in the New Yorker about Alain Gomis’s Félicité, “a dramatic portrait of a fierce, intrepid woman—a single mother and a powerfully expressive cabaret singer (Véro Tshanda Beya Mputu) in Kinshasa who is wrenched from...
The Daily
Jul 10, 2017 — “While many of my more memorable screenings involved companions and cohorts—seeing Barbarella on a second date with the woman I’d eventually marry; catching a revival of Andrei Rublev with a friend as an elderly Russian lady noisily ate stinky borscht...
Essays
Nov 14, 2012 — Jean Luc Godard’s exuberant, multipronged attack on the bourgeoisie is both theater of the absurd and political horror.
Essays
May 9, 2005 — This seminal documentary conveys the particular seductiveness and resonance of the dream of going pro for two talented Chicago teenagers.
Essays
May 26, 2003 — Embracing the world while pretending to sneer at it, Henri-Georges Clouzot’s crime film is rich, deep, and wily.
Apr 21, 2008 — Juan Antonio Bardem combines neorealism with noir thriller to create a new dialect that would forge a new Spanish cinematic language.
The Daily
Dec 22, 2023 — An appreciation of Raúl Ruiz, a chat with Maggie Renzi and John Sayles, and a holiday lightning round.
Sep 13, 2019 — Nicholas Britell’s scores are so finely calibrated to the movies they inhabit that they become inextricable from the images on-screen. Whether it’s the staccato heartbeat of orchestral strings in Barry Jenkins’s Moonlight or the mix of piano motifs and hip-hop...
Mar 26, 2019 — It’s the afternoon of February 8, 1964, and Ed Sullivan has assembled a gaggle of CBS ushers to talk about tomorrow night’s show, featuring the four lads from Liverpool who call themselves the Beetles—strike that, the Beatles. He needs to...