Young America

May 31, 2022 — The jury gave awards to nearly half the competition, but some critical favorites missed out.

May 20, 2022 — Critics take a first look at new films from James Gray, Felix van Groeningen and Charlotte Vandermeersch, Mia Hansen-Løve, Saela Davis and Anna Rose Holmer, and Pietro Marcello.

May 17, 2022 — A new restoration of The Mother and the Whore launches Cannes Classics before Final Cut officially raises the curtain.

May 17, 2022 — Juzo Itami’s tragicomic directorial debut has scandalous fun with the Japanese traditions governing death.

May 11, 2022 — Before Qiu’s award-winning feature opens in theaters, the National Museum of Asian Art will present an online retrospective.

May 5, 2022 — A coincidental set of screenings and openings almost seems to be responding to the impending reversal of Roe v. Wade.

Apr 29, 2022 — This week swerves from the slick cinéma du look to the harshest punk noise.

Apr 26, 2022 — In the opening moments of Arie and Chuko Esiri’s Eyimofe (This Is My Desire) (2020), we first hear—the ceaseless hum of machines at work—and then see: a jumble of multicolored wires. The 16 mm film image is grainy, trembling ever...

Apr 20, 2022 — Running parallel to Cannes, two independent programs will present work ripe for discovery.

Apr 14, 2022 — The seventy-fifth edition will present new work from Claire Denis, David Cronenberg, Kelly Reichardt, and Hirokazu Kore-eda.