The Criterion Collection
Sep 25, 2013 — Roberto Rossellini’s tale of modern sainthood demonstrates the importance of opening oneself to the wider world.
Feb 25, 2013 — When an ethnographic filmmaker and a sociologist joined forces, they helped change the course of nonfiction cinema.
Dec 13, 2011 — Just what is it that makes Seijun Suzuki’s Tokyo Drifter (1966) so different, so appealing? The cherubic hero in the neat powder blue suit, who looks like he was torn out of a yakuza pop-up book? That hauntingly cornball theme...
Dec 2, 2010 — Jacques Tati’s Playtime (1968) opens in a shiny space: nuns breeze past; a woman in a white uniform clacks through, bearing towels; a baby cries. People wait. The feeling is “hospital.” A second woman in white delivers towels, and we...
Essays
Mar 10, 2009 — Akira Kurosawa made Dodes’ka-den (1970) during the most crisis-laden period of his career. He had just spent two years embroiled in an ill-fated venture with the Hollywood studio Twentieth Century Fox to direct the Japanese segments of the World War...
Essays
Jan 27, 1993 — In beautifully composed black-and-white and tempered by a gentle and nostalgic choral score, Kon Ichikawa's drama probes deeply into the moral chaos of war.
Features
May 11, 2022 — Louis Feuillade’s influential serial Les Vampires reflected the French national subconscious at the time by depicting a madcap world of anarchy and violent spectacle.
Feb 14, 2022 — A ’20s jazz hit provides a rare moment of peace in Howard Hawks’s frenzied screwball comedy.
The Daily
Mar 3, 2020 — Mohammad Rasoulof has won the Berlinale’s Golden Bear, and Eliza Hittman is taking home the grand jury prize.
The Daily
Sep 10, 2019 — The comedic murder mystery in the grand tradition of Agatha Christie has scored an outstanding round of early reviews.