The Criterion Collection
The director of The Tin Drum and Young Törless says a prayer to the spirits of the closet and makes a beeline for a masterpiece by Michelangelo Antonioni.
The subjects of Crystal Moselle’s award-winning 2015 documentary show off their voracious appetite for cinema, saluting films by everyone from Stan Brakhage to Jean Renoir to Alex Cox to Wes Anderson.
The writer-director talks about the Yasujiro Ozu classic that inspired his film Little Men, the underrated work of Francesco Rosi, the golden age of repertory cinema in New York City, and a college course in which he studied Shoah for...
The Oscar-winning costume designer of Phantom Thread—whose latest work can be seen in Bradley Cooper’s Maestro—reminisces about his enduring collaboration with Paul Thomas Anderson, shares his love for the artistry of Italian designers Piero Tosi and Milena Canonero, and talks...
The acclaimed photographer and artist talks about bonding with his dad over films in the collection, praises the subtle power of Ozu’s framing, shares his connection to Garrett Bradley’s depiction of Black American life, and touches on his love for...
The writer, philosopher, and director of Orlando, My Political Biography praises Spanish cinema masters Pedro Almodóvar and Carlos Saura, talks about the “visual therapy” of Jacques Tati and his love for the poetry of Chris Marker.
The director of Oldboy and Decision to Leave talks about the influence of Ingmar Bergman, his complicated feelings about The Makioka Sisters, the way Mike Leigh works with actors, and his admiration for Don Siegel’s films.
This American visionary is revered for his expressive, improvisational style and restlessly searching philosophical inquiries.
The actor, known for his performances in Looking, We the Animals, and The Inspection, talks about two classics that inspired him to make movies and his love of Orson Welles’s gift for self-reinvention.
The singer-songwriter and founding member of the Bangles recommends a must-see film for all rock musicians, highlights a favorite scene in Klute, and recounts her childhood memories of hanging out at Ben Gazzara’s house.