Air

Jun 17, 2016 — The late 1920s and early 1930s were wonderfully productive years for Jean Renoir and Michel Simon, a simpatico director-actor duo who produced four films together: Tire au flanc (which gave Simon his first starring role), On purge bébé, La chienne,...

Jun 7, 2016 — Michelangelo Antonioni’s 1955 feature about a group of Turinese women plays on the themes of the novel it was adapted from, while showcasing the developing style of the soon-to-be legendary director.

Apr 26, 2016 — “It is not an exaggeration to say that before Primary, documentary as we know it today—the art of candid observation—didn’t exist,” writes Thom Powers.

Mar 21, 2016 — 1. This week, we’re proud to release our long-awaited 4K restoration of Edward Yang’s 1991 masterpiece A Brighter Summer Day. Long unavailable on home video in the United States, this incomparable work of Taiwanese cinema is now out on Blu-ray and DVD,...

Feb 19, 2016 — For over half a century, Mike Nichols’s varied talents and singular voice made him a cultural icon. From his early days in sketch comedy with Elaine May to his career as a theater director and his prolific output as a...

Nov 24, 2015 — In Dont Look Back, legendary documentary filmmaker D. A. Pennebaker employs his revolutionary new camera and Direct Cinema style to capture the multiple essences and contradictions of a young Bob Dylan making his way across England in 1965.

Nov 12, 2015 — The Writers Guild of America has just assembled a list of the “101 Funniest Screenplays” of all time, which pays tribute to comedy classics ranging from Buster Keaton's The General to James L. Brooks’s Broadcast News.

Oct 21, 2015 — Masaki Kobayashi takes on broken vows and the unreality of the past in his sensual and spooky four-part adaptation of Lafcadio Hearn’s Japanese folktales.

Aug 17, 2015 — François Truffaut’s love letter to the movies is a lightheartedly self-reflexive symphony of camera movement and musical flourish.

Jul 22, 2015 — Stephen Frears brings a playful and shimmering cinematic quality to Hanif Kureishi’s multilayered script about a Pakistani immigrant community in Margaret Thatcher–era London.