Wit

Apr 29, 2015 — Peter Yates's crime drama is a haunting, singular experience, brutal and minutely observed, with a remarkably authentic sense of place.

Apr 24, 2015 — Atypical in style and subject, Yasujiro Ozu’s early crime dramas show a future master brilliantly experimenting with camera and editing.

Apr 14, 2015 — Before he turned Vienna into a labyrinth of shadows with The Third Man, Carol Reed brought film noir to Belfast for this stylishly fatalistic tale of a man caught up in political violence.

Mar 19, 2015 — The author recalls his encounters and correspondence with the filmmaker.

Mar 16, 2015 — Director and star Robert Montgomery suffuses his moody 1947 New Mexico–set noir with palpable postwar anxiety and expressive fatalism.

Feb 26, 2015 — Ben Wheatley is the director of Down Terrace, Kill List, Sightseers, and A Field in England. He says: “Criterion, to me, has always been an exclusive collection. It stood out due to the choices they made and the design. But...

Feb 11, 2015 — With its provocative ambiguities, tender compassion, and fragmented editing style, this supernatural classic is a pure dose of Nicolas Roeg.

Feb 3, 2015 — Jean-Luc Godard returned to the character-driven intensity of his earlier films with this satirical but serious-minded take on men, women, and money.

Jan 28, 2015 — Canadian filmmaker Atom Egoyan has directed fourteen features, including The Adjuster (1991), Exotica (1994), The Sweet Hereafter (1997), Ararat (2002), and, most recently, The Captive (2014). He writes, “Rather than a top ten, these are ten films with which I...

Jan 26, 2015 — Scenes without endings, sounds without corresponding images, actions without seeming motivation—Lucrecia Martel’s sense-heightening debut offers a cinema of subtraction.