We Will Go

May 10, 2022 — Joseph Losey’s sumptuous portrait of Nazi-occupied Paris sees an icy Alain Delon as an art dealer on a Kafkaesque quest for identity.

Oct 20, 2021 — The late director of Canoa: A Shameful Memory aimed “to show people the real Mexico.”

Jul 21, 2020 — Consider this an afterword to Taste of Cherry (1997), the feature that brought its director, Abbas Kiarostami, to full international prominence, after it became the first Iranian movie to win the Palme d’Or at the Cannes Film Festival (where it...

Jun 29, 2020 — The new issue ranges from experimental nonfiction to a Pixar feature, from a ten-screen installation to Watchmen.

Apr 30, 2020 — Festivals scheduled through August are taking their editions online, while studios and theater chains face off over digital releases. Here’s the latest on the impact of the virus.

May 21, 2019 — Malick’s rendering of the true story of a conscientious objector has split the critics.

Apr 21, 2018 — We’re going to be doing a little renovating around here, so this will be the last Daily post for about a week or so. It’ll be worth the wait. You’ll see. In the meantime, let’s have a quick look at...

Feb 14, 2018 — Until the Oscars are presented on March 4, it’s not yet too late to be looking back at the best of 2017. The Village Voice has polled over a hundred critics, and Phantom Thread has come out on top with...

Dec 17, 2017 — New York. The series All or Nothing: The Fearless Performances of Daniel Day-Lewis is on at the Quad Cinema through December 24 and, in the Village Voice, Bilge Ebiri writes: “He doesn’t just do the work; he shows us the...

Dec 6, 2017 — We’ve seen the features—all of them—and the lineups for the new Indie Episodic section as well as the Shorts and Special Events. Today, the Sundance Film Festival, whose 2018 edition runs from January 18 through 28, presents the lineup for...