Time

Mar 22, 2024 — This week we’re revisiting two classic video essays and reading about great bio-pics, Med Hondo, and Haitian cinema.

Mar 21, 2024 — Film at Lincoln Center presents all fourteen features by the director of The Saragossa Manuscript (1964) and The Hourglass Sanatorium (1973).

Mar 20, 2024 — BUFF’s twenty-fourth edition offers plenty of scares and local talent.

Mar 20, 2024 — Ryan Clarke and S*an D. Henry-Smith—two curators behind New York City’s premier Black electronic music festival—talk about the films they selected for Radical Dreams, Underground Sounds, a collection now playing on the Criterion Channel.

Mar 19, 2024 — One of the first postrevolutionary Iranian films screened and celebrated internationally, Amir Naderi’s autobiographical masterpiece is a lyrical exploration of childhood that showcases the director’s gift for radical simplicity.

Mar 18, 2024 — It’s an eclectic bunch this month, featuring a new play, a ban on the color green, and Godzilla.

Mar 18, 2024 — Among this month’s highlights are a collection of noir classics from the genre’s peak year, a Jean Eustache retrospective, and our favorite movies that unfold within a tight timespan between dusk and dawn.

Mar 14, 2024 — A bittersweet comedy and a documentary about a Shakespeare production in a virtual world take the top prizes.

Mar 13, 2024 — This year’s edition opens with Amrou Al-Kadhi’s Layla, and Elliot Page will be on hand to talk about Close to You.

Mar 13, 2024 — The subject of a revelatory retrospective at last year’s Morelia International Film Festival, this groundbreaking director ushered in Mexican cinema’s golden age with vibrant explorations of the nation’s folk traditions and revolutionary past.