Back To Search

The Help

Jun 16, 2014 Georges Franju evokes the surreal silent serials of Louis Feuillade while constructing his own personal cinematic paradise.

Oct 29, 2013 In this 1997 interview, the British-born Hollywood director talks about his early career and the making of his most famous film, The Uninvited.

Nov 21, 2012 In his films as well as his poems, novels, and short stories, Pier Paolo Pasolini evinced a love of vernacular speech, often choosing to write in the slangy argots of the working class and the dispossessed. He made his adaptation...

Nov 13, 2012 With this frenetic cinematic fresco, Pasolini began his Trilogy of Life and its forays into a world as yet unspoiled by capitalism.

Sep 26, 2011 No preconceptions. No rehearsals. No rules. Assayas's on-the-fly bio is exhilaratingly all over the map.

May 19, 2010 Plenty of ink has been expended over the years on the turbulent friendship between Jean-Luc Godard and François Truffaut, which helped define the French New Wave in the 1960s. Now those stories jump off the page and onto the screen...

Apr 30, 2009 The concept of “obscenity” is tested when we dare to look at something that we desire to see but have forbidden ourselves to look at. When we feel that everything has been revealed, “obscenity” disappears and there is a certain...

Oct 6, 2008 Jean-Pierre Melville’s ninth and to that point most commercially successful feature in France, was an important watershed in the director’s career.

Nov 21, 2005 Why would ambitious filmmakers simply film an opera? Many admirers of the work of Michael Powell and Emeric Pressburger have assumed that their decision to make The Tales of Hoffmann, in 1950, was in some way an admission by the...

Dec 9, 2002 What makes Jean-Luc Godard’s classic so unique a viewing experience today, even more than in 1963, is the way it stimulates an audience’s intelligence as well as its senses.

Current Page
96
of 196

You have no items in your shopping cart