The Great Love

Jan 29, 2021 — Dark Passages A nightclub floor show with dancers kicking and tapping under a scrim of cigarette smoke and the murmuration of an indifferent crowd. Couples listlessly swaying in a second-floor ballroom, the men clutching rolls of tickets and the ladies...

Apr 1, 2020 — Are Snakes Necessary?, an erotically charged tale of revenge and political intrigue, naturally features a nod to Hitchcock.

Feb 11, 2020 — How might four history-making Oscars impact movies from here on out?

Dec 20, 2019 — This week we’re spotlighting directors’ and writers’ appreciations of other directors and writers, plus Céline Sciamma and Agnès Varda.

Oct 15, 2019 — After breaking through in Medium Cool, Forster floundered until Quentin Tarantino plucked him from undeserved obscurity nearly thirty years later.

Jul 10, 2019 — En route to the Czech Republic’s Karlovy Vary Film Festival in the summer of 2006, I stopped off for some sightseeing in Prague. Having dutifully made the rounds of the city’s hopping tourist spots, I retreated to my bare-bones hotel...

Sep 28, 2018 — Elisabeth Moss steers a ’90s-era rock band towards self-immolation.

Sep 10, 2018 — One of the pleasures of programming a new short-and-feature pairing every week on the Criterion Channel is getting to celebrate the artistic freedom that short films offer emerging artists. With tighter run times and smaller budgets, the form comes with...

Mar 9, 2018 — Ryan Coogler is on the cover of the new March/April 2018 issue of Film Comment, and Devika Girish writes about how “the mythology of Black Panther is keenly attuned to the present even as it undoes the past: it is...

Feb 25, 2018 — “James Baldwin and Karl Marx—the subjects of my two most recent films—were my two primary teachers; each in his own way taught me how to think, how to be, how to engage,” writes Raoul Peck, director of I Am Not...