The Criterion Collection
The Daily
Oct 7, 2019 — Critics respond to the New York Film Festival’s selection of new moving image art.
Oct 4, 2019 — When I met Ann Carter in 2007 during the filming of a documentary about Hollywood producer Val Lewton, she was seventy years old, more than six decades removed from her starring role in Lewton’s The Curse of the Cat People....
The Daily
Oct 2, 2019 — Armando Iannucci’s The Personal History of David Copperfield opens this year’s bounteous edition.
Oct 1, 2019 — Charlie Chaplin’s sidesplitting The Circus, the last movie he made during the silent era, is a true testament to the man’s genius, not only as a comedian in front of the camera but also as a director behind it. The...
On the Channel
Sep 30, 2019 — One of contemporary world cinema’s most exciting filmmakers, Christian Petzold has, over the past two decades, built up a spellbinding body of work that grapples with his native Germany’s turbulent recent history, and its traumatic aftershocks. Now on the Criterion...
Sep 30, 2019 — At first glance, Jean-Pierre Melville’s body of work might seem to display a schizophrenic split between two currents or tendencies. The first is in total symbiosis with the history of France and is rooted in the filmmaker’s own life, notably...
The Daily
Sep 27, 2019 — Some of the top titles premiering in Berlin, Locarno, and Venice this year are featured in the New York Film Festival’s Main Slate.
Sep 27, 2019 — Charlie Chaplin gave The Circus (1928) one of his favorite themes, some of his most sublime gags, and an incomparably poignant ending. It’s a hugely personal work, which draws on moments from his whole career, from his early stage work...
On the Channel
Sep 23, 2019 — Acclaimed filmmaker Rian Johnson has made a career out of retrofitting genres to his own imaginative specifications. After novel spins on the gumshoe neonoir (Brick) and the time-travel thriller (Looper), the writer-director launched into space—and won a much wider audience—with...
Sneak Peeks
Sep 23, 2019 — By the dawn of the eighties, Divine had already made an outsize impression in a handful of John Waters features, playing insolent women on the wrong side of the law in cult films such as Pink Flamingos and Female Trouble,...