So This Is Love

Nov 22, 2021 — Songbook Tootsie is a film about love and desire. Audiences are prone to forgetting this amid the controversies that have arisen around its gender-crossing conceit. Back in 1982, the film emerged as one of the decade’s prestige comedies: it was...

Nov 17, 2021 — Decades after Peter Lorre’s knife-toting creep Hans Beckert prowled the Berlin streets in search of little girls in Fritz Lang’s M (1931); after Robert Mitchum’s silver-tongued Harry Powell cut down all the “smooth and curly-haired things” he could get his...

Oct 27, 2021 — Channel Calendars Celebrate Noirvember on the Criterion Channel with a tribute to the cool-as-ice Robert Mitchum, whose nonchalance and quiet menace made him a defining presence in American cinema’s underworld. Or enjoy the sophisticated, pitch-dark pulp classics in our Fox...

Oct 26, 2021 — In the run-up to Friday’s opening, Wright has put together a delectable issue of the Observer New Review.

Oct 22, 2021 — Sexuality—how one defines it, lives with it, hides it, shuns it, or wields it—is inextricable from matters of socioeconomic class, though rare is the American film that centralizes this intersectional reality. Americans have long been encouraged to buy into the...

Oct 13, 2021 — When I was growing up in the 1970s, the Black Panther Party’s trademark Afros and black leather jackets were a familiar sight. But it wasn’t until I began studying the Black Panthers in my late teens that I became familiar with...

Oct 8, 2021 — From Richard Linklater to Isabelle Huppert, some of cinema’s most beloved figures have shown their commitment to the art form by operating venues with stellar repertory programs.

Oct 4, 2021 — Mills winningly enlivens the old tropes of a story we’ve seen a thousand times before.

Sep 7, 2021 — When Breathless opened in the U.S., the New York Times announced the arrival of “a hypnotically ugly new young man by the name of Jean-Paul Belmondo.”

Sep 3, 2021 — In the thirty-fifth edition of the Italian festival dedicated to restored films, an eclectic lineup underscores the transportive physicality of cinema after a long year stuck at home.