She Said

Jul 17, 2017 — “Steven Spielberg laid claim to the Normandy beach landing,” begins Variety’s Peter Debruge, “Clint Eastwood owns Iwo Jima, and now, Christopher Nolan has authored the definitive cinematic version of Dunkirk. Unlike those other battles, however, this last was not a...

Jul 11, 2017 — Let’s begin today with the listening and viewing tips, because New York Times film critic Manohla Dargis is Peter Labuza’s guest on The Cinephiliacs (85’38”). Among the topics discussed are “her childhood movie love of watching objects without inhibition and...

Jul 11, 2017 — A forged note brings chaos and corruption to the lives of everyone it touches in Robert Bresson’s devastating final film.

Jul 5, 2017 — Robert Pattinson is on the cover of the new issue of Film Comment and online we find a brief excerpt from editor Nicolas Rapold’s interview with the star of Josh and Benny Safdie’s Good Time.Amy Taubin describes what, for her,...

Jul 4, 2017 — The great character actress delivers a lusty, unbridled performance as a preacher’s daughter in this late-career gem from John Huston.

Jun 30, 2017 — “Founded in 1946 and situated in the picturesque Czech spa town,” the “Karlovy Vary International Film Festival (KVIFF) is seen as one of the most prestigious events on the circuit,” writes Orlando Parfitt at the top of his preview of...

Jun 27, 2017 — Alfred Hitchcock brings a spirit of cinematic ingenuity to a thin narrative, resulting in a flawed but fascinating film that contains one of the most virtuosic sequences in his filmography.

Jun 27, 2017 — On what would have been his seventy-sixth birthday, we look back at the incandescent, richly cinematic reveries of one of the most acclaimed Polish filmmakers of his generation.

Jun 22, 2017 — The new issue of Senses of Cinema opens with a whopping dossier on Budd Boetticher (1916–2001). In his introduction, Dean Brandum notes that “in 1960, at the very moment he seemed destined for A-list status, he walked away from Hollywood,...

Jun 16, 2017 — The title of the first part of Tom Paulus’s projected three-part essay for photogénie, “The Love Connection: Another Jam Session on Narrative,” references “Jam Session on Non-Narrative,” a conversation that took place between film critics Jonathan Rosenbaum, David Ehrenstein, and...