Sep 23, 2002 In 1940 and 1941, David O. Selznick won back-to-back Academy Awards for Best Picture. In 1942, unsurprisingly, he was depressed. His wife, Irene, persuaded him to seek help, and, less than one year later, hale and hardy, he was eager...

Jul 29, 2002 Viewing Kon Ichikawa’s film of the 1964 Summer Games in Tokyo, it is apparent that even then his main idea (despite the more than 150 cameras available to him) was to present a fragmented picture of the Games, rather than...

Feb 11, 2002 The phenomenon of old age wherein childhood memories return with ever-increasing clarity while great stretches of the prime of life vanish into obscurity is the nub of Ingmar Bergman’s drama.

Aug 20, 2001 Preston Sturges’s generous-hearted satire achieves a synthesis that is both terribly funny and deeply moving.

Jan 29, 2001 In Michael Powell and Emeric Pressburger’s drama, the characters abandon their twin faiths, in God and the British Empire, and turn themselves over to more ancient and dangerous powers.

Brazil

Essays

Sep 27, 1999 While researching a book on the making of and the feud over the American release of Terry Gilliam’s Brazil, I read nearly every review published in the U.S., and saw very few that failed to describe the story as “futuristic”...

Oliver Twist

Essays

Jan 11, 1999 David Lean followed his prodigious adaptation of Charles Dickens’ Great Expectations with this brilliant crystallization of Dickens’ Oliver Twist; or, the Parish Boy’s Progress. It deploys the cinema’s special powers of dash and immediacy to convey all the venturesomeness and...

The Player

Essays

Apr 6, 1993 Robert Altman’s darkly witty, gleefully close-to-bone satire of Hollywood is also a return to the infinitely sly and supple virtuosity that marked his great work of the ‘70s.

The Big Chill

Essays

Mar 11, 1991 Lawrence Kasdan’s second directorial effort is a story about the sixties generation's idealism—as well as his most personal movie.

Mar 4, 1989 Alec Guinness used his new-found prominence and clout to initiate a long-cherished ambition, to bring Joyce Cary’s most famous novel to the screen.

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