The Criterion Collection
Feb 14, 2012 — For nearly three decades, Hideo Gosha (1929–1992) made some of the most explosive, artful, and original films in Japanese cinema. Along the way, he also became one of his country’s most established and acclaimed filmmakers. But his reputation in the...
Essays
Feb 9, 2010 — You can’t keep a good woman, or a great movie about a good woman, down. By all accounts, goodness in the real Lola Montez reflected the vagaries of character, not talent. She was, as Cosmo Brown says of Lina Lamont...
Dec 17, 2025 — Amid the disorientation of the COVID-19 era, this rousing film cut through with a life-affirming reminder that community and connection are still possible.
Sep 16, 2025 — A portrait of a new generation of feminist consciousness in the New York art world, Lizzie Borden’s first film project spikes with a persistent friction between the filmmaker and her documentary subjects.
Aug 5, 2025 — From Grosse Pointe Blank to Singles to Trainspotting, some of the decade’s most memorable fusions of music and cinema brought underground culture to new heights of pop consciousness.
Aug 28, 2020 — “Anyone with that kind of brilliance, you just give them space . . . She was a kind of unique, extraordinary, eccentric wild animal. And some jewels came out of her mouth.” Richard Gere On Halloween 1978, a month after...
The Daily
Feb 20, 2019 — An overview of the award winners and a few critical and personal favorites.
Mar 24, 2015 — Words—they conceal and reveal so much about us, as Errol Morris’s elusive and brilliant first films attest.
The Daily
Oct 24, 2025 — We’re revisiting work by Ken Russell, Chantal Akerman, Billy Wilder, and Abel Ferrara.
Sep 15, 2020 — When Claire Denis’s Beau travail (1999) first appeared on American screens, the critic Stephen Holden used a striking phrase to capture its embracing of bold opposites: “voluptuous austerity.” His characterization, widely quoted since, illuminates the film on many levels, and...