The Criterion Collection
Feb 19, 2015 — The scholar and producer talks about his experiences on the set of a film that changed his life.
Feb 17, 2015 — It was never, of course, Yasujiro Ozu’s intention that An Autumn Afternoon (1962) should be the final film of his thirty-five-year career as a writer-director. Indeed, before he died on his sixtieth birthday, in December 1963, he had made notes...
Feb 3, 2015 — Jean-Luc Godard returned to the character-driven intensity of his earlier films with this satirical but serious-minded take on men, women, and money.
Jan 26, 2015 — Scenes without endings, sounds without corresponding images, actions without seeming motivation—Lucrecia Martel’s sense-heightening debut offers a cinema of subtraction.
Essays
Dec 17, 2014 — Trenchant in its portrayal of gender dynamics, sophisticated in its look at the actor’s life, and, of course, hilarious, Tootsie is Hollywood comedy at its finest.
Dec 16, 2014 — The prolific and popular Keisuke Kinoshita made his fascinating first movies at a time of great difficulty and censorship, yet their spirit and brilliance shine through.
Dec 11, 2014 — The opening installment of Terry Gilliam’s “Trilogy of Imagination” reminds us we’d be better off if we paid more attention to the kid’s-eye view of things.
Essays
Dec 10, 2014 — Social satire, women’s melodrama, queer metaphor, or horror movie? Todd Haynes’s elusive masterpiece is all of these and none of them.
Dec 3, 2014 — “We were just in London, clubbing, all those things people did in the ’60s in the middle of London,” British actor Francesca Annis recalls, in an interview on the new Criterion release of Macbeth, of “crossing paths” with director Roman...