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The In Between

Aug 18, 2010 Before Marcel Camus’ Black Orpheus showed up on American and European screens in 1959, what would later be known as the “art film” came in only a few shades of glum: Bergmanesque existentialism, Japanese samurai tragedy, stories of Italian peasant...

Jul 19, 2010 “Why do you want to dance?” “Why do you want to live?” A question followed by another question stands at the beating heart of The Red Shoes. It’s an entirely rhetorical exchange, but it underscores the power and the mystery...

Dec 25, 2008 Robert Rossellini’s efforts to put history into images would yield some forty-two hours of “didactic” movies, mostly for television.

Nov 19, 2008 Albert Lamorisse’s principled balancing of objective fact with childish wish fulfillment results in a new, paradoxical genre—the documentary of dreams.

Nov 19, 2007 Ingmar Bergman made some outstanding films before Sawdust and Tinsel (1953). But that film, released in America under the meretricious title The Naked Night—and known in Sweden as The Clown’s Evening—was the first that no other director could have made....

Aug 13, 2007 Cría cuervos . . . , Carlos Saura's political and psychological masterpiece, was shot in the summer of 1975, as Spanish dictator Francisco Franco lay dying, and premiered in Madrid's Conde Duque Theatre, on January 26, 1976, forty years after...

Oct 24, 2005 Jean-Pierre Melville’s great film flirts with macho extremism and slips over into dream and poetry just as it has us most alarmed.

Apr 25, 2005 Pietro Germi offers locomotive relief in this comedy about the horrors of inertia.

Mar 14, 2005 A director is naturally a man like everyone else. Yet his life isn’t normal. For us, seeing is a necessity. For a painter, too, the problem is to see. But while the painter has to discover a static reality, or...

Mar 14, 2005 The appearance of this 1966 film signaled not only the debut of Volker Schlöndorff as a major international filmmaker but also the beginnings of what would become known as the New German Cinema, one of the most important film movements...

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