The Criterion Collection
Jun 20, 2014 — Peter Weir’s sun-dappled, sexually charged nightmare about a disappearance in turn-of-the-twentieth-century Australia still unnerves due to its radical lack of resolution.
Sneak Peeks
Jun 12, 2014 — The colors, the lighting, the camera angles and movements, the performances, the music! This gorgeous clip from our new digitial restoration of All That Heaven Allows perfectly encapsulates the all-encompassing style of director Douglas Sirk, who employed the conventions of...
May 13, 2014 — Few national cinemas have confronted the issue of preparedness for war with the creative vigor of England’s. Thorold Dickinson’s The Next of Kin (1942), Alberto Cavalcanti’s Went the Day Well? (1942, from a story by Graham Greene), and, of course,...
Essays
Feb 4, 2014 — When François Truffaut was a twenty-three-year-old film critic, in 1955, he read an autobiographical first novel by a seventy-four-year-old writer, Henri-Pierre Roché. “The book overwhelmed me,” he later recalled, “and I wrote: If I ever succeed in making films, I...
Jan 21, 2014 — Bigger is better in Stanley Kramer’s crazily crammed slapstick epic, a timeless showcase for comedy genius.
Dec 16, 2013 — A melodramatic investigation of family and class, Kim Ki-young’s film exorcises some demons of 1960s South Korean society.
Dec 13, 2013 — Metin Erksan’s shocking and sensuous tale of greed and rural life was part of a vibrant Turkish cinema of the fifties and sixties.
Dec 12, 2013 — A beloved filmmaker in India, the Bengali director Ritwik Ghatak digs into his region’s traumatic history in this epic melodrama.
Essays
Nov 25, 2013 — He massages, he gambles, and he’s great with a blade. Who is this blind swordsman, anyway?
Oct 23, 2013 — If there’s one quality that separates John Cassavetes’s movies from almost everybody else’s, it’s the density of detail in the storytelling. His films need to be read closely, from beginning to end. There are no lulls with Cassavetes, no lapses...