The Criterion Collection
Essays
Nov 27, 2018 — With The Magnificent Ambersons, Orson Welles created a model of period filmmaking, lightly deploying historical signifiers while focusing on the haunting power of his actors’ faces.
Nov 20, 2018 — In this video, the Oscar-winning director of The Shape of Water explains how the mix of terror and lyricism in Charles Laughton’s masterpiece went on to influence his own style.
The Daily
Nov 20, 2018 — A sampling of reviews of some of the most significant movies currently in theaters.
The Daily
Nov 16, 2018 — Critics Serge Daney and V. F. Perkins and filmmakers Dziga Vertov, William Friedkin, and Alfonso Cuarón are among the subjects of this week’s highlights.
The Daily
Nov 14, 2018 — The history of Hollywood is the focus of this round, but its reach also extends well beyond.
Nov 7, 2018 — DOC NYC, the largest documentary festival in the U.S., will present 300 films in eight days.
The Daily
Nov 7, 2018 — Multimedia exhibitions of work by Andy Warhol, Chris Marker, Pedro Costa, and others are now on view around the world.
Nov 5, 2018 — With the gradual rollout of his two-part semi-musical, Wang is seeing his strongest reviews yet.
The Daily
Oct 29, 2018 — With Lee Chang-dong’s latest film opening in U.S. theaters, we take a look at the second wave of critical response.
The Daily
Oct 19, 2018 — Here’s a taste of what the critics have been saying about the nominees.