The Criterion Collection
Sep 15, 2009 — Words are the trained fleas in David Mamet’s sidewalk circus—dirty words, often bloodstained, usually swarming, that perform their acrobatic stunts for gawkers who will likely get their pockets picked. That’s the reputation, anyhow. More than thirty years after he made...
Essays
Aug 18, 2009 — Jacques Tati’s masterpiece converts work into play so pleasurably that it turns the very acts of seeing and hearing into a form of dancing.
Jul 22, 2009 — Made in 1966 (so quickly that it could almost be considered an improvisation), Jean-Luc Godard’s twelfth feature is arguably the most quintessentially “Godardian” of the filmmaker’s early period— but for those of us in the United States, it is also...
May 20, 2009 — Iconoclasts are meant to kill their idols, and so it’s fitting that Shohei Imamura launched into his career as if on a patricidal rampage. Like Nagisa Oshima, the other towering figure of the Japanese New Wave, Imamura (1926–2006) rejected the...
Essays
Nov 23, 2008 — The possession of a real voice is always a marvel, an almost religious thing.
Nov 16, 2008 — Chungking Express (1994) was the Masculin féminin of the 1990s, a pop-art movie about cool twentysomethings looking for love in the city that has replaced Paris as the center of the world-cinema imagination. What Jean-Luc Godard did for “the children...
Aug 18, 2008 — This modest-scale psychological drama by Michael Powell and Emeric Pressburger follows an explosives expert with a drinking problem who harbors a great deal of bitterness.
Jul 21, 2008 — Akira Kurosawa’s modern adaptation of an American thriller represents a departure from his usual themes and stylistic choices.
Jun 30, 2008 — The novelist Mishima Yukio stepped behind the camera to adapt his own short story, which depicts the act of seppuku as a thing of beauty.
Nov 12, 2007 — What is left of Berlin Alexanderplatz, this endless canon of the sublime and the trivial, is thus a perpetuum mobile of the human dance of love and death.