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Jun 12, 2019 One Scene One of the most talked-about movies at this year’s Sundance, The Last Black Man in San Francisco is both a rhapsodic portrait of first-time director Joe Talbot’s native city and a mournful look at how gentrification, income inequality,...

Jun 6, 2019 Deep Dives He is our treasured resident alien, visiting from a dimension where shadows are rooms and movies are bad dreams that change reality. That’s one kind of way to think about David Lynch, and there are thousands more. For...

May 28, 2019 Songbook Some songs are so beautiful that it takes six or seven or fifty listens before you really hear the words. High on the list of the greatest American songwriters, Jerome Kern crafted many such melodies: perfect enough to momentarily...

Mar 25, 2018 Since our last roundup on new issues, two more publications have each put out another. The new March 2018 issue of Film Criticism opens with Julia Vassilieva’s essay on Andrey Zvyagintsev’s Leviathan (2014; image above). “While earlier discussions of the...

Mar 22, 2018 David Lynch and Mark Frost’s Twin Peaks: The Return comes in at #1 on the Cinema Scope Top Ten of 2017 and, as editor Mark Peranson points out, all the other titles on the list have been covered in past...

Mar 20, 2018 Graphic artist and filmmaker Sam Ashby, whose short The Colour of His Hair is featured on the Criterion Channel this week, speaks with us about a turbulent moment in UK queer history.

Dec 26, 2017 On January 5, First Look 2018 will open at the Museum of the Moving Image in New York with the U.S. premiere of Blake Williams’s PROTOTYPE, “a work of speculative fiction that takes its starting point from the 1900 hurricane...

Dec 21, 2017 The result of a tumultuous production, Orson Welles’s eccentric take on Othello infuses the play with a convulsive rhythm and disorienting sense of abstraction.

Sep 28, 2017 “If you’ve never seen The Last Detail, Hal Ashby’s 1973 comedy-drama about three Navy sailors on a debauched and ultimately tragic road trip, there are several reasons to rectify that,” begins Dana Stevens at Slate. “There’s a devilishly charismatic performance...

Oct 13, 2015 Divorce wreaks a particularly devastating form of havoc in David Cronenberg's personal take on the dissolution of a marriage.

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