The Criterion Collection
Essays
Mar 19, 2019 — A few weeks after Barbara Loden, the writer, director, and star of Wanda, died at age forty-eight after a long battle with cancer, Elia Kazan, her widower, was interviewed by Marguerite Duras for Cahiers du cinéma. It was 1980, and...
The Daily
Mar 13, 2019 — Women’s stories are central to five of the six top prize winners.
Mar 7, 2019 — As one of the leading figures of the L.A. Rebellion, a loosely defined movement of filmmakers who were pioneering new forms of African-American on-screen representation in the 1960s and ’70s, Charles Burnett has long been heavily associated with Los Angeles....
The Daily
Mar 7, 2019 — The art of Orson Welles and David Lynch, the marriage of Fay Wray and Robert Riskin, and the criticism of Adrian Martin and David Thomson are among the subjects in this month’s round.
Criterion Designs
Feb 22, 2019 — If I were to list the criteria for my ideal project, creating a sculpture of Tadzio, the young boy from Death in Venice, for a Criterion release of Luchino Visconti’s adaptation would just about tick off all the boxes. Firstly, I love cinema,...
The Daily
Feb 20, 2019 — An overview of the award winners and a few critical and personal favorites.
Visual Analysis
Feb 19, 2019 — Under the Influence Debuts don’t get much more auspicious than Hale County This Morning, This Evening. Widely acclaimed and Oscar-nominated, RaMell Ross’s first feature-length documentary trains its lyrical focus on two young Alabamians’ divergent paths into adulthood, all while reflecting...
In Theaters
Feb 14, 2019 — Repertory Picks This Friday, critic Girish Shambu will present Aki Kaurismäki’s warmhearted fable Le Havre (2011) at the TIFF Bell Lightbox in Toronto. The first entry in an ongoing trilogy about the plight of refugees in twenty-first-century Europe, the film is set...
The Daily
Feb 11, 2019 — Thomas Heise, Stephan Geene, and Lei Lei innovatively reconstruct stories from the not-so-distant past.
The Daily
Feb 4, 2019 — All four of this year’s top prizewinners have been directed or codirected by women.