The Criterion Collection
The Oscar-winning writer and director talks about Army of Shadows and Jean-Pierre Melville’s cinema of betrayal, shares his love for Denis Lavant's dancing in Beau travail, and selects favorites by Yasujiro Ozu, Ernst Lubitsch, and Nicholas Ray.
The acclaimed actor shares his affection for the dark humor of The Cremator, credits Benicio del Toro with introducing him to the films of Kaneto Shindo, and praises Mexican-cinema classics like Canoa: A Shameful Memory and Amores perros.
In her raw, evocative dramas, this acclaimed French director has examined the effects of colonialism in Africa and the human struggle for intimacy in a violent and alienating world.
The musician and member of Portishead talks about the overwhelming experience of watching Antichrist, a score he cowrote for The Passion of Joan of Arc, and his memory of a BBC broadcast of Merry Christmas Mr. Lawrence.
The singer shares her love for The Bitter Tears of Petra von Kant and its decadent drama, praises Nicole Kidman’s hilariously psychotic performance in To Die For, and talks about the intimate dream state of Brand upon the Brain!
The writer, director, and composer talks about the enduring inspiration of The Age of Innocence, praises the tonal precision of David Cronenberg’s Crash, and shares his love for Pasolini’s potent mix of poetry and intelligence.
The singer-songwriter of Death Cab for Cutie and the Postal Service shares his love of the surreal worlds of Luis Buñuel; praises his favorite filmmaker, Kelly Reichardt; and talks about the emotional impact and importance of Streetwise.
The comedian, actor, and director talks about loving the relatable weirdness of Grey Gardens and the compulsive passion of Crumb; praises Miranda July’s singular, offbeat voice; and shares how The 400 Blows (a Natasha Lyonne recommendation) evokes empathy for the...
The legendary auteur returns to the Criterion Closet, where he selects new editions of favorite films like Down by Law and Wanda, talks about Kurosawa’s genius for recreating weather on-screen, and shouts out his former assistant director Claire Denis.
The Oscar-nominated writer and director of Io Capitano praises the courage and vision of Buster Keaton, shares his love for the soul of Kenji Mizoguchi and the subconscious of David Lynch, and shouts out one of his cinematic fathers, Roberto...