Jun 24, 2024 Costars and critics remember an outstanding actor who neither looked nor sounded like a movie star.

Underground on Top

The Daily

Jun 21, 2024 We open with an Italian neorealist classic, steer through ’70s-era paranoia, and wrap with a blast of gnarly rock ’n’ roll.

Jun 21, 2024 An underrated figure of Japanese cinema’s postwar era, the director tackled a wide range of subjects over his long career, including corporate double-dealing, government espionage, and various forms of fanaticism.

Jun 20, 2024 All the Archers’ classics but also more than a few rarities will screen as part of MoMA’s comprehensive retrospective.

Jun 20, 2024 She was Demy’s Lola, Fellini’s Luisa, and in Lelouch’s A Man and a Woman, Trintignant’s lover.

Jun 19, 2024 A masterpiece from the golden age of Mexican cinema, Emilio Fernández’s film is a prime example of the cabaretera film, an offshoot of the popular “prostitute melodrama” genre.

Jun 14, 2024 Featured this week are a breakthrough lesbian comedy, a Native American road movie, and a portrait of a Palestinian family.

Jun 13, 2024 Baker has selected seventeen films to screen in New York before her first feature opens next week.

Jun 12, 2024 This summer, we’re bringing back one of our favorite seasonal themes with a hard-boiled Neonoir collection. Plus: Pop Shakespeare, Times Square, and Columbia Screwball.

Jun 11, 2024 A radically strange, postmodern adaptation of a novel by Jean Genet, Rainer Werner Fassbinder’s final film is grounded by a sweaty, seething, meaty eroticism—a confrontational sexuality that remains bracing.

Current Page
95
of 441

You have no items in your shopping cart