The Criterion Collection
The Daily
Jun 24, 2024 — Costars and critics remember an outstanding actor who neither looked nor sounded like a movie star.
The Daily
Jun 21, 2024 — We open with an Italian neorealist classic, steer through ’70s-era paranoia, and wrap with a blast of gnarly rock ’n’ roll.
Jun 21, 2024 — An underrated figure of Japanese cinema’s postwar era, the director tackled a wide range of subjects over his long career, including corporate double-dealing, government espionage, and various forms of fanaticism.
The Daily
Jun 20, 2024 — All the Archers’ classics but also more than a few rarities will screen as part of MoMA’s comprehensive retrospective.
The Daily
Jun 20, 2024 — She was Demy’s Lola, Fellini’s Luisa, and in Lelouch’s A Man and a Woman, Trintignant’s lover.
Jun 19, 2024 — A masterpiece from the golden age of Mexican cinema, Emilio Fernández’s film is a prime example of the cabaretera film, an offshoot of the popular “prostitute melodrama” genre.
The Daily
Jun 14, 2024 — Featured this week are a breakthrough lesbian comedy, a Native American road movie, and a portrait of a Palestinian family.
Jun 13, 2024 — Baker has selected seventeen films to screen in New York before her first feature opens next week.
On the Channel
Jun 12, 2024 — This summer, we’re bringing back one of our favorite seasonal themes with a hard-boiled Neonoir collection. Plus: Pop Shakespeare, Times Square, and Columbia Screwball.
Essays
Jun 11, 2024 — A radically strange, postmodern adaptation of a novel by Jean Genet, Rainer Werner Fassbinder’s final film is grounded by a sweaty, seething, meaty eroticism—a confrontational sexuality that remains bracing.