Feb 21, 2006 Kind Hearts and Coronets (1949) is an Ealing comedy in name only. True, it’s undeniably a comedy and was made by (though largely not at) Ealing. But in virtually every other respect, it deviates startlingly from the commonly accepted stereotype....

Sep 19, 2005 Jane Campion is a rarity, not simply because she is a world-class female director, but because she has devoted her career to exploring female subjectivity.

Jan 10, 2005 Seijun Suzuki made a breakthrough with his second feature, a yakuza thriller full of devil-may-care assurance and try-anything imagination.

Secret Honor

Essays

Oct 18, 2004 Nixon as Hamlet, Nixon as Lear, Nixon as Blanche DuBois, Nixon as Krapp—clutching every last tape to his breast with the wild fury and despair of a man on the precipice . . . Nixon in his study, poring over...

Early Summer

Essays

Jul 19, 2004 In Yasujiro Ozu’s hands, the extended-family drama widened its focus to encompass friends, neighbors, and employers.

Jul 19, 2004 Marcel Carné's third feature is as epochal as any film made in France in the 1930s, exemplifying the style known as “poetic realism.”

Sep 29, 2003 Fassbinder had long dreamed of a “German Hollywood film.” He sought not only success with the audience, but also professionalism. The auteur film in its purest form is an attempt to abolish the division of labor: the filmmaker represents in...

Aug 4, 2003 Shohei Imamura’s lurid black comedy showcases the director’s passion for everything that’s kinky, lowlife, or irrational in Japanese culture.

May 26, 2003 Transcription of a speech given by long-time Derek Jarman collaborator and friend, actress Tilda Swinton

Dec 9, 2002 What makes Jean-Luc Godard’s classic so unique a viewing experience today, even more than in 1963, is the way it stimulates an audience’s intelligence as well as its senses.

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