Days

Mar 6, 2019 — Performances As Howard Hawks was preparing to make His Girl Friday, his 1940 version of the classic Ben Hecht and Charles MacArthur play The Front Page, he was determined not to repeat what he felt had been a problem with his earlier comedy Bringing Up...

Mar 1, 2019 — Barbara Hammer gives an “exit interview,” Béla Tarr discusses Sátántangó, and Neil Jordan writes about the projects that got away.

Feb 15, 2019 — New restorations, a new trailer, new translations, a new publication, and new perspectives on an awesome and abhorrent film.

Feb 13, 2019 — The utterly delightful new film is the ninety-year-old artist’s guide to her films, photography, and visual art.

Feb 6, 2019 — On the Criterion edition of Secret Sunshine, Lee Chang-dong describes his creative process as one of utter despair. That should come as no surprise to anyone who knows his work. Since making his feature debut, Green Fish, in 1997 at...

Feb 5, 2019 — The festival focuses on promising filmmakers few of us know much about yet and neglected treasures from the archives.

Feb 4, 2019 — All four of this year’s top prizewinners have been directed or codirected by women.

Jan 31, 2019 — Trailblazer Elaine May altered the landscape of comedy and screenwriting, and in the three films she directed in the 1970s—A New Leaf (1971) , The Heartbreak Kid (1972), and Mikey and Nicky (1976)—she brought a fresh, often uncomfortable perspective to the portrayal of...

Jan 29, 2019 — In the Heat of the Night (1967) opens with an air of mystery, of outsiderness winding its way into the small town of Sparta, Mississippi, a place that right away seems heavy with a sense of what belongs and what...

Jan 23, 2019 — Checking in on how the nominees are currently faring with critics and awards prognosticators.