Feb 17, 2010 The feature film debut of British artist Steve McQueen, Hunger dramatizes the final weeks in the life of Irish Republican Army commander Bobby Sands and his death by hunger strike, aged twenty-seven, in 1981. Combining intense formal control and extreme...

Oct 18, 2009  So many worlds stream in from every direction in Monsoon Wedding that it comes to seem as if the whole globe is converging on a single family home in New Delhi: relatives from Houston, from Australia, from Dubai (“Muscat, actually”);...

Jul 21, 2009 Jean-Luc Godard’s essay follows twenty-four hours in Juliette’s life, beginning and ending in the evening in the apartment she shares with her husband and two young children.

Mar 25, 2009 J.Hoberman’s got a sharp and snazzy piece in the New York Times on American expat director Jules Dassin—just in time for Film Forum’s fifteen-film retrospective of his career. The blacklisted filmmaker of black-hearted crime dramas (and a couple of hot-blooded...

Jan 14, 2009 Gregory Nava, with his writing partner and producer, Anna Thomas, made the courageous decision to tell their story of a cold-war battleground from the point-of-view of the colonized “natives,” eschewing an English-speaking protagonist.

Oct 6, 2008 Jean-Pierre Melville’s ninth and to that point most commercially successful feature in France, was an important watershed in the director’s career.

Aug 18, 2008 This modest-scale psychological drama by Michael Powell and Emeric Pressburger follows an explosives expert with a drinking problem who harbors a great deal of bitterness.

Jun 23, 2008 Five years of increasingly horrific news from the former Yugoslavia made Milcho Manchevski’s searing yet lyrical film timely to a degree that few filmmakers have ever achieved.

Jun 23, 2008 The year 1950 marked a turning point in Anthony Mann’s career, the moment when he passed from the series of brilliant film-noir B movies that had established him to the westerns that made him a major figure. Mann released three...

May 26, 2008 As Britain stood on the threshold of a long-dreaded war in 1939, Alexander Korda decided to show what cinema could do to rally the nation and win support around the world.

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