Ali

May 23, 2019 — One family infiltrates another in one of this year’s top critical favorites.

May 23, 2019 — Our survey of this year’s edition begins with the first animated feature to take the top award.

May 21, 2019 — Claire Denis’s Let the Sunshine In (2017) is one of the great films about middle-aged loneliness, specifically—though not exclusively—as women feel it. It’s not a dating movie, though there’s dating in it. And it’s not a feeling-sorry-for-oneself movie, though there are...

May 20, 2019 — Setting the Haiti of 1962 next to present-day Paris, Bonello weighs the impact of French colonialism.

May 19, 2019 — The Austrian director, a Cannes regular, is in competition for the first time with a chilly tale of a happiness-inducing flower.

May 19, 2019 — Critics are finding the young Russian director’s second feature to be bleak yet irresistibly masterful.

May 15, 2019 — The star-studded zom-com has been met with a first round of mildly appreciative reviews.

May 14, 2019 — The seventy-second edition will present new work by some of the world’s most renowned filmmakers.

May 8, 2019 — Songbook “The very first time I saw a picture of [Charles Starkweather], I knew I was looking at the future. His eyes were a double zero. There was just nothing there. He was like an outrider of what America might...

May 2, 2019 — “To begin with, Gone with the Wind is a woman’s story . . . Mr. Cukor, one of Hollywood’s finest directors and the man who has directed Hepburn and Garbo in some of their best, is known as a woman’s...