After Life

Nov 8, 2022 — In her first film that places a male character front and center, Jane Campion trains her unsparing gaze on the brutality of patriarchal power and the pain of repressed homoerotic desire.

Nov 3, 2022 — Wolf Kino invites filmmakers, writers, and curators to host screenings of six films by Rainer Werner Fassbinder.

Nov 2, 2022 — The director of Samson and Delilah and Sweet Country discusses his formative artistic encounters, his eclectic professional background, and on-screen Indigenous representation.

Nov 1, 2022 — In one of the most incendiary and formally experimental films of the Czechoslovak New Wave, two mysterious young women uncover humanity’s endless potential for revolt.

Oct 28, 2022 — The role of the vampire has given talented actors throughout film history—from Bela Lugosi to Catherine Deneuve—the chance to embody physical and moral extremity.

Oct 25, 2022 — One of the few American films of its era directed by a Black woman, Kasi Lemmons’s feature debut advances a critique of patriarchy and asks questions about gender and sexuality that still resonate today.

Oct 21, 2022 — The Viennale and the Austrian Film Museum present twelve features by a vital figure in the Japanese New Wave.

Oct 18, 2022 — Drawing from Latin American folklore, Jayro Bustamente conjures an intimate, supernatural tale that engages with Guatemala’s history of violence.

Oct 14, 2022 — Martin Scorsese remembers Jean-Luc Godard, Francine Prose admires Jafar Panahi, and Guy Maddin discusses his earliest and newest works.

Oct 13, 2022 — Denis’s second film of the year split the critics when it won a Grand Prix in Cannes—and it’s still splitting them now.