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While at War

Summer Programming

The Daily

Jun 17, 2021 On our minds this week: Lizzie Borden, Jenni Olson, Dorothy Arzner, Marguerite Duras, Jacques Rivette, and female detectives on television.

Jun 17, 2021 The first real lesbian kiss in a film is an honor that rightfully belongs to Mädchen in Uniform. It’s true that a year earlier, in 1930, Marlene Dietrich played a tux-clad chanteuse who snogs a woman in a nightclub audience...

Jun 11, 2021 “The whole world is dying of panicky fright.” The opening on-screen text of Todd Haynes’s Poison promises an unsettled experience. Yet these words also might as well be predicting the puritanical response to the film that erupted from conservative quarters. After winning...

Jun 1, 2021 Valeria Sarmiento and the Chilean production company Poetastros have launched a campaign to complete Raúl Ruiz’s Socialist Realism.

May 18, 2021 The 1892 Chinese novel The Sing-Song Girls of Shanghai opens with a prologue in which the author, Han Ziyun, writes from his own perspective, providing a gateway into the book by describing a dream he has had. Referring to himself...

Coming Attractions

The Daily

May 18, 2021 Here’s an update on what Bong Joon Ho, Margarethe von Trotta, David Cronenberg, Alice Rohrwacher, and Wes Anderson are up to.

Apr 19, 2021 What lies beyond the grave? Human cultures across space and time have imagined many kinds of afterlives, from the attenuated shades of Hades to the lush paradise of the Islamic Jannah to the merger with the infinite anticipated by mystics....

Apr 16, 2021 Few motifs in Indian cinema are as potent, as laden with history and meaning, as the train. In 1955’s Pather Panchali, Satyajit Ray immortalized the railways as the symbol of an alienating modernity in a newly independent India; in a...

Apr 8, 2021 If I wanted to do justice to my memory of Bertrand Tavernier, I would have to tell half my life. That’s why I prefer to start with his films—and with the one I perhaps like the best. In Coup de...

Mar 26, 2021 In her hypnotic, uncategorizable films, the director serves as a channel for images that emerge from deep within her unconscious.

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