The Criterion Collection
The Daily
Dec 14, 2017 — Emotion Pictures: International Melodrama is a sixty-two film series now running at the Film Society of Lincoln Center in New York through January 7. “Sam Fuller famously defined cinema as ‘emotion,’ and just about every variety of it may be...
The Daily
Dec 7, 2017 — Night of the Living Dead, the “multi-platform VR experience”? As Janko Roettgers reports for Variety, the virtual reality production company Supersphere and Image Ten, the company co-founded by the late director George A. Romero, are planning to turn the 1968...
Jul 19, 2017 — “Yvonne Rainer stands as one of the most influential choreographers of the past fifty-plus years,” begins Melissa Anderson in the Village Voice. “In 1962 she co-founded the Judson Dance Theater, that exalted wellspring of experimental movement; a decade later, she...
Interviews
Jun 20, 2017 — With both films now streaming on the Criterion Channel, director Carroll Ballard discusses the parallels between his short documentary Rodeo and Francesco Rosi’s bull-fighting classic The Moment of Truth.
The Daily
May 26, 2017 — Today’s second Competition entry is Fatih Akin’s In the Fade, and we begin with the A.V. Club’s A. A. Dowd: “Diane Kruger stars as Katja, a woman whose husband, a Turkish immigrant, and son, who’s only six, are killed in...
Feb 19, 2016 — The filmmaker, who began his career as a stage director and designer before shifting his focus to movies, swung by for a chat about his new film and his lifelong affinity for the macabre.
Features
Jun 30, 2014 — The filmmaker’s recollections of the great producer.
Jun 24, 2014 — In 1964, Richard Lester harnessed the Beatles’ exploding superstardom for a giddy day-in-the-life pop masterpiece.
Essays
Jun 27, 2012 — The warrior and philosopher protagonist of The Samurai Trilogy, Musashi Miyamoto, was a real-life seventeenth-century figure. Here, the translator of Musashi’s The Book of Five Rings tells us about this fascinating man and his principles of swordplay and spirituality.
Essays
Aug 18, 2009 — Jacques Tati’s masterpiece converts work into play so pleasurably that it turns the very acts of seeing and hearing into a form of dancing.