The Criterion Collection
Jan 25, 2010 — Unlike the more aesthetically and intellectually conceived French New Wave, Italian neorealism was above all an ethical initiative—a way of saying that people were important, occasioned by a war that made many of them voiceless, faceless, and nameless victims. But...
Essays
Dec 4, 1995 — While Carol Reed’s psychological noir is the most compassionate of movies, it’s a poetic summary of twentieth century harshness—of what can be called the inhuman condition.
Jul 13, 2015 — “I think that in a few years, in ten, in twenty, or thirty years, we shall know whether Hiroshima mon amour was the most important film since the war, the first modern film of sound cinema.” That was Eric Rohmer,...
Essays
Dec 11, 2013 — This political drama was made in Mexico at a revolutionary moment and represents an extraordinary confluence of international talent.
In Theaters
Jan 17, 2013 — Repertory PicksThe Brattle Theatre in Cambridge is heading south this month—way south. The legendary repertory house is kicking off a series called Dead of Winter: Satan on Screen, which ranges from comedy to horror to drama in its selection of...
Oct 15, 2050 — Voice-over narration has existed since the beginnings of cinema and has been an integral part of some of the great masterworks of narrative film, from The Magnificent Ambersons to Double Indemnity to Jules and Jim to Taxi Driver. It spans...
Jan 31, 2014 — Tim Forbes is chairman of Forbes Digital and a former independent producer and screenwriter. He writes: “At the Brown Film Society in the early 1970s, we ran about twenty different movies a week, showing everything then available, from the lowliest...
Essays
Oct 31, 1988 — This ingenious and entertaining crime thriller marks what its director Stanley Kubrick would like to think of as the real beginning of his career.
The Daily
Jul 17, 2026 — Some early reviews raise a few objections, but for the most part, Nolan is wowing critics with his grandest vision yet.
The Daily
Oct 20, 2025 — The Mexican director’s oeuvre, spanning half a century, is undeniably dark but also deeply humane.