The Criterion Collection
Oct 8, 2017 — The New York Film Festival presents BPM (Beats Per Minute) tonight and tomorrow, and we begin with Jordan Cronk, writing for Cinema Scope: “A sprawling yet affectingly personal portrait of a group of Parisian activists and ACT UP members in...
The Daily
Oct 8, 2017 — Lady Bird screens at the New York Film Festival this evening and tomorrow night, and we begin with Filmmaker’s Scott Macaulay: “Greta Gerwig makes her directorial debut with this controlled, coolly compassionate and autobiographical-feeling post-9/11 teenage tale. Saoirse Ronan plays...
The Daily
Oct 5, 2017 — This is the documentary that put an end to Steven Spielberg’s plans to produce a narrative feature—to be directed by Sam Mendes—based on Gay Talese’s book, The Voyeur’s Motel. Spielberg had bought the rights after the New Yorker ran an...
The Daily
Oct 4, 2017 — Starting today, and on through October 15, the sixty-first BFI London Film Festival will present over 240 features—premieres, revivals, and hand-picked highlights from the year’s festival calendar so far—and nearly 130 short films. Our guide here won’t—can’t—be complete, but with...
Oct 1, 2017 — “Sean Baker follows his 2015 breakout feature Tangerine with another high-energy movie about people whose imaginations are undaunted by living on the margins,” begins Amy Taubin, introducing her interview with the director for Film Comment. “In The Florida Project, six-year-old...
Oct 1, 2017 — “Since I saw Faces Places at its premiere at Cannes in May, [Agnès] Varda’s latest documentary has cemented itself on my running list of the year’s best titles,” writes Manohla Dargis in the New York Times. “Made with the French...
The Daily
Oct 1, 2017 — “Having placed second in Toronto’s People’s Choice Awards, James Franco scored his first big outright win as a director, his The Disaster Artist scooping Saturday night the 65th San Sebastián Festival’s Golden Shell, the top plaudit at the highest-profile film...
The Daily
Sep 30, 2017 — “Nine years in the making, Western draws its title from [Valeska] Grisebach’s generic source inspiration, the American Western,” wrote Michael J. Anderson in a dispatch back to the Oklahoma City Museum of Art a couple of weeks ago. “Noted for...
The Daily
Sep 30, 2017 — “It would seem that curators have replaced bankers as the villains du jour,” writes Jörg Heiser in a piece for frieze that addresses, among other showdowns, one here in Berlin that’s just resulted in the police clearing out occupiers from...
The Daily
Sep 29, 2017 — “A ravishing visual colossus, Blade Runner 2049 more than lives up to its predecessor’s legacy as a groundbreaking mixture of sound, images and mood,” begins Screen’s Tim Grierson. “This long-anticipated sequel’s screenplay sometimes struggles to keep pace, but director Denis...