The Criterion Collection
Jul 5, 2020 — Among today’s most revered jazz musicians, pianist and composer Jason Moran stands out for how seamlessly he blends tradition and innovation. Throughout his now two-decade career, he has honored the complex history of one of America’s most storied art forms...
Jul 3, 2020 — As The War of the Worlds is essentially a cautionary tale, each generation gets its own adaptation of H. G. Wells’s classic account of extraterrestrial invasion—one of the several seminal science-fiction novels, also including The Time Machine (1895) and The...
Jun 30, 2020 — Come and See (1985) is one of those films whose authority is established from its opening moments. Out in the open air, an elderly peasant dressed in a soft-peaked beret is volleying a mixture of threats and imprecations into some...
On the Channel
Jun 29, 2020 — Channel Calendars This July, the Criterion Channel celebrates unconventional artists who march to the beat of their own drum, with spotlights on indie iconoclast Miranda July, cutting-edge composer Ryuichi Sakamoto, downtown poet Sara Driver, lyrical documentarians Bill and Turner Ross, and formally...
The Daily
Jun 19, 2020 — Along with Juneteenth and Pride Month viewing suggestions, we’re spotlighting interviews with Euzhan Palcy, Bill Forsyth, the Ross brothers, and more.
Interviews
Jun 18, 2020 — When Jamie Babbit’s But I’m a Cheerleader made its theatrical premiere in July 2000, it was entering a queer political landscape vastly different from the one we live in today. Over the last two decades, we’ve witnessed the rise of LGBTQ...
Jun 16, 2020 — Buster Keaton’s last great film, The Cameraman (1928), is his love letter to the machine that makes movies possible. He plays a humble street photographer who is smitten with a pretty secretary and follows her back to the newsreel office...
Jun 9, 2020 — A couple walk down a cacophonous street in New York. They’re bundled in coats—wrapped up in their own worlds. She is incandescent with joy, talking about her cadre of close friends and their regular meetings. He wears a resigned face,...
Jun 8, 2020 — When she was asked to profile a director for the long-running French docuseries Cinéma, de notre temps, Chantal Akerman wondered: what better subject than herself? The producers agreed, and the Belgian-born filmmaker was inspired to edit together from her existing...
The Daily
May 29, 2020 — This week we’re learning about one of the world’s first tracking shots and catching up with Guy Maddin, Lewis Klahr, Sarah Cooper, and Steve Buscemi.