The Criterion Collection
Jun 21, 2004 — Indefatigably productive, ingenious, exasperating, narcissistically didactic, slyly self-promoting, abject, generous, exploitative, devoted to the wretched of the earth with honest fervor and deluded romanticism: Pier Paolo Pasolini can easily exhaust the adjective-prone, as man and artist, his person and his...
Features
Sep 26, 2025 — One of the most provocative subgenres of 1970s exploitation cinema, nunsploitation explores the collision of sex and religious dogma through stories of desperately horny women of the cloth.
The Daily
Jan 21, 2025 — Lynchian may be impossible to define, but you know it when you see it.
Nov 19, 2024 — William Wyler’s adaptation of the Broadway musical celebrates the indomitability of vaudeville legend Fanny Brice, embodied by Barbra Streisand in an incandescent and remarkably vulnerable performance.
The Daily
Jan 18, 2023 — Names on the shelves this month include Terrence Malick, Vladimir Nabokov, Veronica Lake, and Mohsen Makhmalbaf.
Essays
Sep 28, 2021 — The first Black-directed movie musical of the modern film era, Melvin Van Peebles’s drama illuminates the cultural and political concerns of working-class Black people with delight and fancy.
The Daily
Aug 17, 2021 — This month we’re reading about Hollywood memoirs, cultural histories, and the revived debate over the screenplay for Last Year at Marienbad.
The Daily
Jul 13, 2021 — Critics assess new work from Mahamat-Saleh Haroun, Paul Verhoeven, Ryusuke Hamaguchi, François Ozon, Joachim Trier, and more.
The Daily
Mar 19, 2021 — We’ve been watching and reading about films by Cecilia Mangini, Cheryl Dunye, Claire Denis, and Nina Menkes.
Aug 3, 2020 — The British director of sprightly musicals, wrenching family dramas, and gripping political thrillers was seventy-six.