The Criterion Collection
The Daily
May 31, 2022 — The jury gave awards to nearly half the competition, but some critical favorites missed out.
May 31, 2022 — Wayne Wang’s breakthrough feature, a milestone in Asian American cinema, is a humorous and intimate snapshot of San Francisco’s Chinatown.
The Daily
May 26, 2022 — The top awards at this year’s Critics’ Week go to stories of young people with uncertain futures.
On the Channel
May 26, 2022 — Shimmy into summer with our centennial tribute to Judy Garland and two career-spanning series dedicated to queer filmmakers Ulrike Ottinger and Terence Davies.
May 25, 2022 — Mira Nair’s sumptuous second feature explores migration, rebellion, and romance across racial borders in the American South.
The Daily
May 23, 2022 — A contemporary reimagining of Au hasard Balthazar becomes an unlikely contender for the Palme d’Or.
The Daily
May 19, 2022 — As Tchaikovsky’s Wife premieres in competition, the Russian director fields questions about cultural boycotts.
Essays
May 17, 2022 — Juzo Itami’s tragicomic directorial debut has scandalous fun with the Japanese traditions governing death.
The Daily
May 11, 2022 — Before Qiu’s award-winning feature opens in theaters, the National Museum of Asian Art will present an online retrospective.