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Come rubammo la bomba atomica

Nov 1, 2023 Sandra Hüller meets Joachim Trier, Hayao Miyazaki predicts the future, and MoMA showcases Iranian cinema.

Oct 31, 2023 With the full force of her imagination, director Nikyatu Jusu examines the complicated nature of Black motherhood, as well as the importance of Black communion as an antidote to racial oppression.

Oct 30, 2023 At a crucial point in the gleefully unhinged and unapologetically nihilistic teen horror movie Ginger Snaps (2000), two death-obsessed teen sisters wasting away in suburban Canada, Brigitte and Ginger, find themselves at their school nurse’s office, in a desperate final...

Twenty Years On

The Daily

Oct 27, 2023 We’re revisiting Infernal Affairs, Lisandro Alonso’s Los muertos, and some of the first reviews posted at Reverse Shot.

Oct 26, 2023 Ever since he began working with the Miami-based film festival and collective Third Horizon in 2016, Jonathan Ali has been finding ways of celebrating Caribbean cinema and how it captures the irreducible complexity of the region and its diaspora. He...

October Books

The Daily

Oct 24, 2023 The season brings Barbra Streisand’s memories, the “joyously vulgar” Burton and Taylor, and the story of Siskel and Ebert.

Oct 24, 2023 A beautiful, intense woman stands in a large, dusky room, lit only by an oil lamp, her eyes wide in concern and something not far from panic, her eyebrows tremulously registering every thought and fear that passes through her mind,...

Oct 17, 2023 I. “Morbid Cinema” On October 10, 1962, there appeared a brief paragraph from the Associated Press: “Tod Browning, eighty-two, who directed scores of movies between 1917 and 1939, is dead. He succumbed Saturday after an illness, and no funeral plans...

Noir by Gaslight

Features

Oct 4, 2023 Night has fallen in London, but the streets still teem with people. Through a second-story window, we watch as an elderly Jewish man who lives over a shop is stabbed to death and his rooms are set on fire. We...

Oct 2, 2023 Andrew Scott, Paul Mescal, Jamie Bell, and Claire Foy star in a melancholic story of romance and reconciliation.

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