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But No One

Jun 30, 2026 The distinction between social and political cinema is not always clear. The former category, which focuses on realistic portrayals of the everyday lives and struggles of the working class, generally includes the films of Italian neorealism and British social realism,...

Apr 21, 2026 It’s all a bit confusing. Point Blank is based on a novel called The Hunter by Richard Stark, one of several pseudonyms adopted by Donald E. Westlake. The book was republished as Payback in 1999 to tie in with a...

Apr 17, 2026 From a distance—looking down, say, from a penthouse office in a glass-paned downtown skyscraper—the U.S. economy of the 1990s and early 2000s could feel almost boring. Between Black Monday in 1987 and the Global Financial Crisis twenty years later, growth...

Mar 24, 2026 In this true-crime epic, Martin Scorsese combines his career-long exploration of amoral gangsterism with a sobering meditation on what it means to live on American soil.

Sep 25, 2025 To celebrate Robert Altman’s centennial, we invited five writers—Howard Hampton, Bruce LaBruce, Violet Lucca, Christina Newland, and Carlos Valladares—to each explore a favorite lesser-known gem from the great director’s filmography.

Apr 16, 2025 The two Cannes sidebars select films by Christian Petzold, Robin Campillo, Eva Victor, and Sophie Letourneur.

Inside the Echo

The Daily

Feb 14, 2025 On our minds this week: Chantal Akerman, Ang Lee, and Akira Kurosawa.

Wish for a Breeze

The Daily

Nov 22, 2024 Powell and Pressburger, Cassavetes and Rowlands, Robert Frank, Catherine Breillat, John Waters, Babette Mangolte, Sergei Loznitsa . . .

Oct 23, 2024 Selections from this year’s lineup will screen in New York and Los Angeles.

Oct 8, 2024 An otherworldly exploration of the realm between life and death, this horror masterpiece transcends its genre with its poetic, often unsettling use of fragmentation and discontinuity.

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