The Criterion Collection
Feb 17, 2015 — It was never, of course, Yasujiro Ozu’s intention that An Autumn Afternoon (1962) should be the final film of his thirty-five-year career as a writer-director. Indeed, before he died on his sixtieth birthday, in December 1963, he had made notes...
Jul 29, 2014 — Combining a tragic romance and the story of a workers’ strike, this musical melodrama is perhaps Jacques Demy’s most neglected masterpiece.
Jul 25, 2014 — Erik Skjoldbjærg’s sun-drenched noir follows a detective trying to conceal his amoral actions amid unforgiving daylight.
Essays
Jul 21, 2014 — Anouk Aimée’s beguiling chanteuse, the title character of Jacques Demy’s romantic debut feature, is the figure from whom the director’s entire cinematic world springs.
Mar 12, 2013 — Working in America, German master Fritz Lang contributed to the anti-Nazi effort with this nightmarish, surreal tale of espionage.
Jan 30, 2013 — The improvisational arts of filmmaking, jazz, and chili.
Essays
Dec 12, 2012 — Even with limited resources, Christopher Nolan proved a force to be reckoned with in his thrilling, auspicious debut.
Essays
Oct 25, 2012 — The following piece by Sunday Bloody Sunday screenwriter Penelope Gilliatt originally appeared as the introduction to the 1971 U.S. publication of the script. A friend of mine who had started scrubbing at fourteen and went on to be a barmaid...
Essays
Jul 17, 2012 — Down by Law, released in 1986, was Jim Jarmusch’s third movie. Unlike its predecessors, Permanent Vacation (1980) and Stranger Than Paradise (1984), it did not take off from a semi-documentary view of downtown Manhattan. It was shot entirely on location...
Jul 6, 2012 — Samuel Fuller wrote this extraordinary “interview” piece shortly after White Dog was completed. It appeared in issue 19 of the journal Framework in 1982, with this introduction: “The director of Paramount’s White Dog interviewed the title actor of the movie...