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Because I Love You

Dec 16, 2008 Science-fiction drama, western, love story, metaphysical mystery, and satire of modern America, Nicolas Roeg’s beguiling film established him as a mainstream heir to such 1960s experimentalists as Alain Resnais, Jean-Luc Godard, and Chris Marker.

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The Daily

Jul 18, 2025 The week brings fresh writing on David Cronenberg, Stan Douglas, and Agnès Varda as well as a conversations between Jeff Wall and Pedro Costa.

Oct 31, 2023 With the full force of her imagination, director Nikyatu Jusu examines the complicated nature of Black motherhood, as well as the importance of Black communion as an antidote to racial oppression.

Feb 28, 2023 One of the towering figures of postwar French literature, Marguerite Duras was also an innovative filmmaker whose rarefied cinematic style dared audiences to see less and listen more.

Alain Resnais 100

The Daily

Aug 11, 2022 New York’s Film Forum commemorates the director’s centennial year with a series of twenty-one films.

Sep 29, 2020 Martin Scorsese’s World Cinema Project No. 3 What can it mean for cinema to be revolutionary? Answering a version of this question in a 1977 interview, the Cuban filmmaker Humberto Solás stressed the importance of real-world context. In a capitalist...

May 18, 2020 It’s hard to imagine Hollywood without Frances Marion. The story of the screenwriter’s career is entwined with the story of Hollywood itself, from its pioneer days to the Golden Age. Part of Marion’s skill as a writer was how her...

May 14, 2018 In the singular world of Finnish filmmaker Aki Kaurismäki, auteurist homage and social consciousness are joined by some of the most lovingly filmed dogs in contemporary cinema.

Dec 6, 2017 “There’s topical, there’s timely, and then there’s The Post, which feels less like a historical thriller set in 1971 than it does an exhilarating caricature of the year 2017,” begins David Ehrlich at IndieWire. “While Steven Spielberg’s latest film rivetingly...

Nov 14, 2017 Donna Deitch combined tropes of lesbian pulp romance with the sheen of mainstream filmmaking in her beloved debut feature.

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