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Two Is a Family

Oct 23, 2006 The New Zealand director’s debut feature is a bridge between her tentative, probing film school works and her subsequent female character studies.

Aug 14, 2006 The Bakery Girl of Monceau and Suzanne’s Career are not Eric Rohmer’s first films. By 1963, he had made several shorts and one feature, Le signe du Lion. Yet these two short works—with their meticulously charted Paris locations; their semidocumentary...

Jun 19, 2006 Decades after its backyard birth, Jack Woods’s DIY horror movie has forged a model of inspiration for succeeding generations of effects artists and low-budget filmmakers.

Jun 5, 2006 Painful, beautiful, and discomfiting, Maurice Pialat’s coming-of-age drama remains as startling in its honesty, its unique mix of savagery and delicacy, as it was in 1983.

Dec 5, 2005 René Clément’s masterpiece is dedicated to the radical Freudian proposal that living matter seeks the comfort of oblivion.

Oct 24, 2005 Kihachi Okamoto’s subversion of the samurai movie possesses the same gritty, stark realism with regard to imagery and body count, yet the tone is decidedly comic.

Sep 19, 2005 Jane Campion is a rarity, not simply because she is a world-class female director, but because she has devoted her career to exploring female subjectivity.

Jun 27, 2005 Like his earlier adaptations of Terence Rattigan plays, Anthony Asquith’s late work is bereft of heavy-handed directorial flourishes.

Jan 10, 2005 Seijun Suzuki's penultimate film for Nikkatsu is a subversively funny account of the making of a model fascist.

Early Summer

Essays

Jul 19, 2004 In Yasujiro Ozu’s hands, the extended-family drama widened its focus to encompass friends, neighbors, and employers.

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