Too Early / Too Late

Jan 24, 2018 — We begin with Rolling Stone’s David Fear: “Pick any random song by the Coup—we suggest ‘Fat Cats, Bigga Fish’ from their 1994 album Genocide & Juice, or ‘My Favorite Mutiny’ from 2006’s Pick a Bigger Weapon—and you'll get complex anti-corporate...

Jan 17, 2018 — “My appreciation for his inspiring and innovative cinema grows deeper as the years go by,” writes Mehrnaz Saeed-Vafa in an essay that Jonathan Rosenbaum’s posted on his site, “Reflections on Kiarostami’s Two-Way Mirrors.” A new and expanded edition of their...

Jan 7, 2018 — This past Christmas Eve, Jonas Mekas—filmmaker, poet, critic, co-founder of the journal Film Culture and New York’s Anthology Film Archives—turned ninety-five, certainly occasion enough for IndieWire’s Eric Kohn to get a few words with him. They discuss government support for...

Dec 30, 2017 — Cinema lost a few giants this year, some soldiers, some heroes, duly heralded or not, and links from a good number of the names here will take you to collections of remembrances. I’ve also added notes and a few more...

Dec 29, 2017 — We open a round of holiday listening and viewing with Bill Simmons and Sean Fennessey’s conversation (99’38”) at the Ringer with Paul Thomas Anderson about Phantom Thread, the few brief clashes he had with Burt Reynolds on the set of...

Nov 23, 2017 — Considering how reticent David Lynch can be when it comes to talking about his work, Daniel Fienberg’s fared pretty well in his conversation with him for the Hollywood Reporter. At one point, they discuss the stamina it takes to direct...

Nov 14, 2017 — Donna Deitch combined tropes of lesbian pulp romance with the sheen of mainstream filmmaking in her beloved debut feature.

Nov 3, 2017 — “The return of Twin Peaks in 2017 came like a Taser shock to the ‘golden age of television,’ overturning audience expectations for what Twin Peaks—and TV—could encompass, both in narrative and form,” writes Aliza Ma in the new issue of...

Oct 19, 2017 — New York. “Feverish, fragmented, expressionistic, The Sin of Nora Moran (1933) is one of the most formally daring films to come out of Hollywood in the early sound era,” begins Imogen Sara Smith in her overview for Film Comment of...

Sep 29, 2017 — One of the most elusive artists in American cinema opens a window onto his private life and creative methods in this revelatory documentary.