The Work

Feb 24, 2017 — Cinema lost one of its most venerated maestros of excess last week with the passing of director Seijun Suzuki, whose signature films from the 1960s exploded the conventions of the Japanese studio system. While honing his craft in dozens of...

Jan 19, 2017 — Ever wonder what, exactly, a “girl Friday” is? Over on his blog, scholar David Bordwell gets to the bottom of this and some other questions about Howard Hawks’s 1940 screwball masterpiece, a film that has beguiled him for almost fifty...

Dec 20, 2016 — With only three features under her belt, German director Maren Ade has become one of contemporary cinema’s keenest observers of human behavior.

Nov 29, 2016 — Anahita Ghazvinizadeh’s short film Needle, which won the 2013 Cinefondation prize at Cannes, premieres today on the Criterion Channel as part of our weekly Short + Feature. I first met Anahita through programming the short at the Chicago International Film...

Nov 16, 2016 — The joy of new love collides with the anxieties of everyday life in Paul Thomas Anderson’s off-kilter foray into romantic comedy.

Oct 25, 2016 — On their way back to Mumbai, the filmmaking pair dropped in for a chat about their film The Cinema Travellers, which documents the last traveling-cinema exhibitors of the western Indian state of Maharashtra.

Oct 20, 2016 — The Bryn Mawr Film Institute, in Pennsylvania, is screening Henri-Georges Clouzot’s twisted thriller Diabolique, about the murder of a sadistic headmaster by his submissive wife and his malevolent mistress.

Oct 19, 2016 — Martha Karsh, editor of The Beatles A Hard Day’s Night: A Private Archive, published in September by Phaidon, talks about her family’s Beatlemania and assembling a book about the world’s most famous rock band.

Sep 23, 2016 — Did You See This? To celebrate the beginning of autumn this week, the BFI has published a list of ten films set during the season, including Douglas Sirk’s All That Heaven Allows, Yasujiro Ozu’s An Autumn Afternoon, Wes Anderson’s Rushmore,...

Sep 20, 2016 — Cloaked in chiaroscuro and innuendo, this stylistically innovative creature feature leaves its greatest horrors to the imagination.