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The Drama

Jun 8, 2020 When she was asked to profile a director for the long-running French docuseries Cinéma, de notre temps, Chantal Akerman wondered: what better subject than herself? The producers agreed, and the Belgian-born filmmaker was inspired to edit together from her existing...

Jan 15, 2019 In Notorious (1946), love assumes different shapes and presentations—as a wound, a weapon, a promise, a curse. For Ingrid Bergman as the lusciously complex and raw-nerved Alicia Huberman, it’s all these things. As the film begins, Alicia is on the...

Apr 13, 2017 Repertory Picks On Sunday evening, as part of the monthlong series In Transit: Refugees on Film, the UCLA Film & Television Archive will screen a 35 mm print of Jean-Pierre and Luc Dardenne’s La promesse (1996). Set in the filmmakers’...

Jan 5, 2016 Toshiya Fujita’s two-film saga set exuberant, manga-inspired martial-arts choreography against a backdrop of a Japanese society in transition to unfold a vivid tale of epic vengeance.

Dec 2, 2015 This fall the British Film Institute inaugurated a season-long celebration of on-screen romance with LOVE, its UK-wide series of theatrical screenings and rereleases of classic film love stories—from Badlands to A Room with a View. In conjunction with this month's...

Radio Revivals

Short Takes

Oct 16, 2015 Beginning this Saturday, BBC Radio 4 will be unearthing some of cinema’s buried treasures in a series called Unmade Movies.

Jul 25, 2014 Erik Skjoldbjærg’s sun-drenched noir follows a detective trying to conceal his amoral actions amid unforgiving daylight.

Baltimore Flower

In Theaters

Mar 13, 2014 Repertory PicksThe lovely domestic drama Equinox Flower (1958) was the first color film by the great Japanese director Yasujiro Ozu. Though this master of cinematic composition was initially resistant to moving to the relatively new process (the first color film...

Jul 22, 2013 Gabriel Axel’s exquisite adaptation of Isak Dinesen’s short tale of grace through art provides spiritual and sensual sustenance.

Aug 20, 2001 Preston Sturges’s generous-hearted satire achieves a synthesis that is both terribly funny and deeply moving.

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