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The Comic

Aug 31, 2015 “When you’re writing a screenplay, it’s like you’re dreaming the film for yourself again and again and again until it becomes almost like a memory before you make it,” says writer and actor Greta Gerwig in a new interview in...

Ohio Travels

In Theaters

Jul 23, 2015 Repertory PicksViewers at the Cleveland Institute of Art can get whisked away on a comic escapade this Saturday, July 25, with a 35 mm screening of Preston Sturges’s classic Sullivan’s Travels. This mix of satire and social realism from Hollywood’s...

Feb 24, 2015 Federico Fellini’s fragmentary and picturesque tale of death and debauchery in ancient Rome is a surreal take on reality.

Aug 26, 2014 Define the Japanese New Wave however you like—there are innumerable possible launching points, and the name players in the fifties and sixties were old and young and in between—but from any juncture, Shohei Imamura was a primary figure and, at...

Jul 15, 2014 Ihave an unusually easy way of remembering when I first became fascinated by Robert Bresson’s films. Pickpocket (1959) was the first one I saw, at the old Orson Welles theater in Cambridge, Massachusetts, in my late teens; it was also...

Dec 12, 2012 Even with limited resources, Christopher Nolan proved a force to be reckoned with in his thrilling, auspicious debut.

Nov 20, 2012 Michael Cimino’s visionary western is a superbly realized account of a shocking real American tragedy.

Jul 6, 2011 Cinephilia was the buzzword at this year’s Edinburgh International Film Festival. There’s nothing out of the ordinary about that, of course, but the 2011 edition (the festival’s sixty-fifth—it’s the oldest continuously running film festival in the world), which ran from...

Mar 28, 2011 Topsy-Turvy is both an anomaly among the films of Mike Leigh and, contrary as it may seem, a Rosetta stone. On the one hand, it is Leigh’s only costume picture and only biopic—a far cry from the bittersweet, realistic films...

Dec 7, 2010 This exploration of how technology alters its users was not only prophetic but a personal artistic breakthrough for David Cronenberg.

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