Self Song/Death Song

Sep 16, 2021 — As the Viennale prepares a retrospective, Toronto premieres what Davies calls “the best film I’ve made.”

Sep 16, 2021 — For some, it’s “a relentless, propulsive chase movie,” while others find this first part to be “a turgid preamble with little payoff.”

Sep 10, 2021 — A political thriller, a batch of musicals, conversations with Steve Buscemi, and Sarah Maldoror’s Sambizanga are among this week’s highlights.

Sep 3, 2021 — In the thirty-fifth edition of the Italian festival dedicated to restored films, an eclectic lineup underscores the transportive physicality of cinema after a long year stuck at home.

Aug 30, 2021 — As the fifty-fifth edition wrapped over the weekend, Stefan Arsenijević’s As Far as I Can Walk took three prizes.

Aug 30, 2021 — Next month, we’re headed to the Big Apple with a century-spanning survey of New York on-screen.

Aug 25, 2021 — Fifteen features and eight programs of short films are set for the festival’s showcase of aesthetically adventurous work.

Aug 25, 2021 — Nancy wrote a book about Kiarostami and Denis drew inspiration from the late philosopher’s work.

Aug 24, 2021 — Andrzej Wajda’s masterful portrait of postwar Poland pits Communist ideals against the bitter realities of a new order.

Aug 12, 2021 — Gleaning the best of Cannes, Berlin, and Sundance, NYFF programmers have selected thirty-two features from nearly as many countries.