QT8: The First Eight

Jul 16, 2013 — Theater legend Peter Brook’s approach to bringing the classic fable about human savagery to the screen was radical in its straightforwardness.

Jun 17, 2013 — The author recounts the story of his friendship with the great filmmaker.

Oct 4, 2011 — Pier Paolo Pasolini’s work demonstrates an aversion for the present while simultaneously suggesting the impossibility of escaping it, and thus the need to confront it.

Dec 11, 2009 — This expansive tribute to the iconic Japanese actor Tatsuya Nakadai was first published on the Criterion Collection’s website in fall 2005, around the time of the Criterion releases of two films starring Nakadai: Kurosawa’s Ran and the less well-known samurai...

May 5, 2009 — Every second of David Fincher’s uncanny drama—every shot and every cut, every gesture and every facial expression, every turn in its narrative and every visual effect—is devoted to the contemplation of time’s passing.

Apr 9, 2009 — The first time I “met” Max was in May of 1959, when Bergman’s stunning production of Urfaust came to London for just one week in the World Theatre Season. Groupie of all things Swedish that I was, I waited outside...

Jun 23, 2008 — Five years of increasingly horrific news from the former Yugoslavia made Milcho Manchevski’s searing yet lyrical film timely to a degree that few filmmakers have ever achieved.

Mar 12, 2007 — Kon Ichikawa’s incendiary and extraordinarily brutal war film renders the emotional carnage that festers long after the battle’s end.

Nov 19, 1992 — In Hieronymous Karl Friedrich, Baron von Munchausen, the greatest liar in history outside of politics, director Terry Gilliam has found perhaps his closest fictional counterpart.

Jun 12, 1991 — I didn’t get very far with my first script collaborator, Kuba Goldberg. Then Jerzy Skolimowski appeared on the scene.