Piece by Piece

May 10, 2018 — The director of Ida returns with the story of an intense love affair.

May 8, 2018 — Horror movies are often understood as products of the imagination, but in the case of Caroline Monnet and Daniel Watchorn’s work, the conventions of the genre are grounded in stories of real-life injustice. Set in a Canadian residential school for...

May 7, 2018 — With quiet mastery, he depicted lives of faith, humility, and hard work.

May 6, 2018 — Cannes 2018 One of the major highlights of the ongoing, year-long celebration of the 100th anniversary of the birth of Ingmar Bergman will be the presentation of a 4K restoration of The Seventh Seal (1957) as part of this year’s...

May 6, 2018 — In his final masterpiece, Sergei Eisenstein revolutionized the screen biography, departing from the conventions of the genre to mount some of his boldest experiments. Ivan the Terrible, a two-part epic about the notorious Russian Tsar, is fueled by what the great director-theorist...

May 4, 2018 — What do we mean when we say a narrative film is poetic? The answer lies in this visionary western from director Jim Jarmusch.

May 1, 2018 — Working within the strict rules and tight budget of a commissioned television project, one of France’s finest contemporary directors made an artistic breakthrough that would go on to define his career.

Apr 20, 2018 — Let’s catch up with the new issue of cléo journal, this one dedicated entirely to the work of Agnès Varda. When the journal launched five years ago, it took its name from Varda’s 1962 classic, Cléo from 5 to 7....

Apr 17, 2018 — The seventeenth Tribeca Film Festival opens tonight in New York with Love, Gilda, Lisa D’Apolito’s portrait of beloved comic actress Gilda Radner, and screens around one hundred more features before wrapping on April 29. Throughout the festival’s run, I’ll be...

Apr 12, 2018 — Nagisa Oshima followed up his succès de scandale In the Realm of the Senses with this Cannes award–winning ghost story, playing this week at the Austin Film Society.